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Continuing drawing hxh characters based solely on the descriptions of them from Media Club Plus by @friends-table. This is Kortopi, member number 12 of The Phantom Troupe.

Jack: He is accompanied by Kortopi, a one-eyed— or maybe— hmm. A small child in a green raincoat with long gray hair cover— with only one eye visible beneath. Then there is Uvo, a—

Keith: Fully covering their face.

Jack: Yes.

Keith: Like, can’t see their face.

Keith: Yeah, this is something that Hunter X Hunter is so good at, is like, I talked about this episode as setting up pins and like, Hunter X Hunter is constantly setting up pins and you just never know when they’re gonna get knocked down. Sometimes it’s two minutes, sometimes it’s ten episodes, sometimes it’s thirty episodes, like who knows? Like, later on we see, uh, it’s introduced that Kortopi has, [Jack: Oh yeah…] that his copies count as En and then like five minutes later that becomes like a crucial part of the plan. And that sort of maneuver is happening constantly in this show, where you learn something and then a little while down the line they pull it and twist it in…

Continuing drawing hxh characters based solely on the descriptions of them from Media Club Plus by @friends-table. This is Nobunaga, member number 1 of The Phantom Troupe.

Jack: Also with them is Nobunaga, who is a rōnin with a classic sort of top knot and a robe and a katana

Keith: Yeah, “Dr. Warm-Hearted Miser”?

Jack: Yeah. [Sylvia laughs]

Keith: That’s his other theme song.

Austin: I’m telling you, they’re compatible.

Dre: I love that Guilty Gear character.

Keith: That song— both of those songs are the songs of a guy who would steal a trillion jenny from a casino.

Dre: Sure.

Austin: It would make Leorio more like Lupin III and less like Leorio.

Sylvia: He would be Danny Ocean.

Austin: He’d be Danny Ocean.

Keith: Who he looks like. He looks like Lupin III.

Dre: Yeah.

Austin: He’s already a Lupin III type.

Keith: Yeah.

Sylvia: I mean, Nobunaga would fit right in, then. He’d just be, um…

Austin: I’m telling you.

Keith: Right.

Austin: Yeah.

Sylvia: Oh, I can’t remember the name off the top of my head.

Austin: Jigen.

Sylvia: Jigen.

Austin: No, Jigen’s the other one. Jigen’s the other one.

Keith: The other one,…

Continuing drawing hxh characters based solely on the descriptions of them from Media Club Plus by @friends-table. This is Bonolenov, member number 10 of The Phantom Troupe.

It’s been a while since I’ve done one of these, but I realized recently that a lot more of the episode transcriptions have been completed than the last time I had looked. As always, I’m primarily bottlenecked by how quickly I can assemble the descriptions.

Jack: On the left-hand side of the image is a embalmed person.

Sylvi: [laughing]

Jack: Uh… she is sitting calmly, uh, she is, she is not the focus of this scene, which is so fun. Between the sort of gorilla fellow, uh, uh, in the first image, you know, it turns out not being a main character whatsoever, and this person kind of just framed sideways, you know, in the very edge of the frame. I really like this. Uh, this person has been wrapped, head to toe, in bandages, it looks like. Uh, alternatively, they could be chitinous. They could be, this could be plates, almost like a, like a. Uh, a woodlouse, or a beetle, or an armadillo, or pangolin — [chuckling] the plated animals.…

Unfair Flips is a game about flipping a coin to get 10 Heads flips in a row.

Unfair Flips is a game about how humans interact with variable probability.

Unfair Flips is a game about how people interpret the information presented to them, relative to the seemingly random outcomes they experience.

Unfair Flips is a game about why people play games at all, when there’s only a finite amount of time to experience them.

Unfair Flips is a game with a speedrunning community. The rules of the speedrun say that time starts when the first coin is flipped and ends when one of the various endings occurs and then number of total flips is displayed. The current world-record strategy routeing seems like an optimal series of upgrades to minimize time played, along with a lot of luck. Statistically speaking, the variance in flips will eventally produce a relatively fast run. The minimum required number of flips per run is 10 Heads and no Tails. With enough time across enough runners, it’s possible that someone will even get this lucky. Other speedruns tend to rely on memorization, dexterity, and endurance. While the orders of upgrades could land in those former…

Background

Every game of Magic: the Gathering can technically be won by making another player try to draw a card when there are no cards left in their deck, a strategy called “milling.”¹ In custom fan formats like Dandân², there is a single deck shared between the two players, which encourages milling as a more serious backup strategy if the whole “making your opponent lose life” thing doesn’t work out. Recently, I became curious what a custom format might look like if milling was not only a backup but the only strategy? Constraints breed creativity, after all.

Nim is a much older game than MTG about trying not to be the last player to remove an object from a central pile. Every turn, each player can choose to pick up one object, pick up two objects, or pick up half of the remaining objects. It’s often used as an example game with easy rules to implement in introductory computer-science classes, since the game strategy is solved and coding that strategy is simple to do. Part of what makes the strategy so simple is that both players always have the same actions they can take each turn, and…

This weekend, I was overcome by the urge to make this extremely specific fanart.

I recently watched Austin and Jack from Friends at the Table play Hthrflwrs’s extremely good new video game Unfair Flips by streaming it on Twitch

Over the course of the roughly three hour stream, Austin and Jack — among other things¹ — invented a pair of delightfully frustrating fictional oligarchs named The Red Duke and The Blue Baron, who alternated between jabs at their subjects (the streamers) and talking to each other about the rousing match of coin flips the were playing vicariously through them.

My partner speaks some Spanish. I only understand a few words. A few months back, I was confused by something in Spanish, and I was bummed about not understanding. I asked my partner, and I got some clarifying example followed by the phrase “por ejemplo.” I heard it as ”[…] poor Hemplo,” thinking that my partner had invented a pet name to go with how sad and pathetic I was being.

Ever since, we’ve used “Poor Hemplo…” as a way to express that we understand the other person is complaining and wants attention, but that the complaint isn’t a very serious one.

“Oh no, we’re all out of grapes” “Poor Hemplo…”

With very short exceptions, my parents have had cats for as long as I’ve been alive. My nuclear family is close and has plenty of words, phrases, or family references/in-jokes¹ that I took for granted growing up. When I was in middle school, my at-the-time crush came over around my birthday because she had gotten me a present.² She was allergic to cats, so she had little-to-no concept of cat behaviors. While we sat on the couch, I tried to explain what the cats were doing and why, using as specific of language as I could: the ones I learned from my family. She responded that those words weren’t real, and I explained that my family always used these words. It then dawned on me that families could create common-sounding words that were actually extremely niche.

Many years later, I’ve since learned that all words are made up. With that in mind, here’s a descriptivist approach to my family’s words for describing cats. Where possible, I’ve tried to include any known etymology I could in the footnotes:

boonk /bʊŋk/ verb — a cat intentionally hitting its forehead on anything ³

smear /smiɚ/ verb — a cat rubbing either…

I haven’t blogged in many months, but I’ve been meaning to! In that time, I was settling into a relatively new job, I was porting my website over from eleventy to astro, and I was accumulating various blog post topics to write about.

For a while now, I’ve been frustrated that I could not easily form abitrary collections of things for archiving-purposes. There’s art that I have and/or my partner has done and I’d like to be able to showcase it, like I used to on cohost. I’m hopeful that this transition will help make doing so much easier for me.

If there’s anything that looks strange (derogatory), feel free to comment, email, or otherwise ask about it and I’ll look into it. I’ve been trying to test that everything looks good on my RSS feed reader, when I share posts via Discord, etc, but it’s possible that I missed something in the shuffle.

My partner and I attended a pottery workshop at a studio outside of the city this past weekend. When you do pottery in a city, space is a premium. It’s common to feel anywhere from cozy to a bit claustrophobic in a busy art studio. Most don’t have any outdoor spaces, and even if they did, there would likely be restrictions on how openly you could do alternative firing techniques without creating significant risk to your neighbors or the general public. You can hardly even use outdoor grills in a lot of neighborhoods in my city, even if you have a back deck or patio for them.

For these reasons, we drove an hour to a much larger ceramics warehouse that had a large outdoor firing yard where you could have open flames, smoke clouds, and gas kilns. There, the head of the warehouse ran a Raku firing workshop for the dozen potters and their plus-ones all day. It was sunny with no clouds and was surprisingly windy all day, but it was overall a lovely time.

Raku originated in Japan. There, the piece was removed from the kiln while still very hot and it was left to cool in…